Owing to the rise in popularity of audio books, talking books are now featuring in the Handbag Gallery. Improved digital technology has made the audio book more accessible to readers. I invited bestselling author, Imogen Matthews, to explain how she transformed her words into a talking book with the help of a BAFTA nominated actor. Imogen has charted her book’s journey into the audio world.
At the beginning of this year, I decided to turn my novel, The Hidden Village, into an audiobook, but had no idea where to start. The audiobook market, I’m told, is booming, especially among young people who like to listen to books on their commute, in the gym, when out cycling and running or at home preparing a meal.
Amazon’s ACX (http://www.acx.com/) can take you through the process step-by-step and made it sound fairly straightforward. They would help with everything, from finding a narrator to providing guidance on how to produce my audiobook and getting it distributed onto Amazon and other distribution channels. So far so good. ACX has a big database of narrators all waiting to audition for your book and all you have to do is decide the type of voice, tone and accent you want for your book. I listened to a few narrators and although there was nothing wrong with any of them, I didn’t feel the right connection I so wanted for my book.
In the meantime, some other options arose, which sounded a great deal more exciting. Early on, I had the chance to work with a well known British stage and TV actor and was blown away by his audition…but work got in the way and he simply couldn’t commit as he was on tour in a musical until June. Maybe he’ll be free for my next book?
My disappointment was short-lived after I was introduced to Liam, a BAFTA nominated actor, who has narrated dozens of books. Together with his audiobook producer, the delightful Catherine, an Englishwoman based in the US, they have created and produced my audiobook, and I couldn’t be more pleased.
Working with Liam was a dream. We had several phone conversations in which he asked me searching questions about the narrative, characters and foreign words. He took the job seriously and must have read my book multiple times to get under the skin of each of the characters (of which there are many!). I trusted him to go away and narrate the whole story, which I then listened to, all 9 hours and 37 minutes, over the course of a weekend in April.
It was a very strange and wonderful feeling hearing the words I’d written being brought to life by an actor. Liam added layers of meaning and tension to the story I honestly hadn’t realised were there. It made me realise that my role, as an author, is merely to tell the story – and from then on in, the reader/narrator takes over.
I did think of asking Imogen to present the audio version of her article. What do you think of audio books?
About Imogen:
Imogen Matthews lives in Oxford, England and is the author of two romantic fiction e-novels. The Hidden Village is her first historical fiction novel. Born in Rijswijk, Holland, to a Dutch mother and English father, the family moved to England when Imogen was very young. She has always enjoyed holidays in Holland and since 1990, has gone regularly with her husband and two children to Nunspeet on the edge of the Veluwe woods. It was here that she discovered the story of the hidden village, and together with her mother’s vivid stories of life in WW2 Holland, she was inspired to write her next novel.
Deep in the Veluwe woods lies Berkenhout, a purpose-built village of huts sheltering dozens of persecuted people. But the Germans can find no proof of its existence. The whole community pulls together to help the Berkenhout inhabitants adjust to a difficult new life and, above all, stay safe.
Sofie, a Jewish Dutch girl, struggles to adapt to living in Berkenhout, away from her family and friends. As weeks turn to months, she’s worried they’ll abandon her altogether. Young tearaway Jan likes to help, but he also enjoys roaming the woods looking for adventure and fallen pilots. His dream comes true, until he is found out. Henk is in charge of building the underground huts and organizing provisions to Berkenhout, but his contact with the Germans arouses suspicions.
Whom can you trust? All it takes is one small fatal slip to change the course of all their lives forever.
I have waited over a year for the release Talland House by Maggie Humm. According to the blurb, “Talland House takes Lily Briscoe from the pages of Virginia Woolf’s To the Lighthouse and tells her story outside the confines of Woolf’s novel…” It is an honour to introduce you to Maggie Humm.
Maggie Humm is an international Woolf scholar, she is the author/editor of fourteen books, the last three of which focused on Woolf and the arts. Talland House was shortlisted for the Impress and Fresher Fiction prizes in 2017 (as Who Killed Mrs. Ramsay?) and the Retreat West and Eyelands prizes in 2018.
Maggie: Talland House re-imagines Virginia Woolf’s To the Lighthouse from the point of view of Lily Briscoe the artist character. Set between 1900 and 1919 in picturesque Cornwall and war-blasted London, the novel tells Lily’s emotional journey in becoming a professional artist: her love-life, mourning her dead mother, as a suffragette, nurse and solving the mystery of Mrs. Ramsay’s death. The novel contains a prequel to To the Lighthouse and many fictions of Woolf’s life, including her family, the artists and friends she knew.
Jessie:What was the initial inspiration for the novel?
Virginia Woolf’s wonderful, quasi-autobiographical To the Lighthouse. I first read it as an adolescent after the death of my mother and fell in love with the mother-figure Mrs. Ramsay. Only years later did I discover that Woolf’s mother Julia Stephen was 49 when she died and Virginia 13 – the exact ages of my mother and me when my mother died. There’s something so extraordinarily moving about mothering in To the Lighthouse. In the novel Mrs. Ramsay dies suddenly and in parentheses (apologies to those who haven’t read the book!). The death is unexplained – the most surprising death in 20th century literature. I knew I had to write a novel discovering how Mrs. Ramsay died!
Jessie: How long have you been working on the book? Did it involve any special research?
Years! I took a UEA/Guardian diploma in creative writing followed by nine months of mentoring with The Literary Consultancy and much revision.
The research was huge but so enjoyable. As a Woolf scholar (my last three books focus on Woolf and the arts) I’d read all Woolf’s writings and writings by her family and friends. For Talland House I read Cornish newspapers for the times Lily is in St. Ives for weather, incidents, and atmosphere. I loved being in the airy, light map room at the top of the British Library looking at old photos of St. Ives for housing types, street scenes. I read artists’ memoirs, art journals of the turn of the twentieth century for a sense of artists’ lives and studios. I read everything on-line about World War I in London and how it felt to be there, for example, when the Germans suddenly switched from Zeppelins to Gotha bombers in 1917. London and St. Ives almost became characters in Talland House. I googled about music halls, other leisure pursuits, clothes, transport, and the accurate names of buildings and visited all Lily’s places. Lily gradually took over my life, my feelings, even my physical characteristics. She’s always early for appointments, she’s an only child with a dead mother, and her fingers are the shape of mine. Sometimes I wondered if I existed outside the novel!
Jessie: I am intrigued and want to delve into your writing. Please present some extracts from the novel so that will transport us to the settings in Cornwall.
Talland House
“Lily glanced up at the house. Over the years, Talland House had come to mean more and more to her, a kind of home, a place where she’d always wanted to return, and she’d missed it with the sadness of missing an old friend, a real person. There was a special spot—the steps from the drawing room into the garden where Mrs. Ramsay liked to sit—at a specific moment of the day—early evening when the low sunlight caught the bright escallonia hedge—and it looked magnificent.”
St Ives
“Lily had a glorious view of St Ives’s harbour, the seagulls twisting iridescent in the sun, a lighthouse seemingly close enough to touch. The weeks ahead spread out before her like a freshly washed sheet. Here no one knew her, here there were no family responsibilities, here she could be herself or whatever herself would become.”
Beach and Godrevy
“The beach began to empty as families took their children home for tea, and Lily rested on the top bar of the promenade railings looking out over the glare of the sea at Godrevy Lighthouse, hearing distant cries, the pat-pat of sails flapping against the rigging, the waves lapping. Now she felt the whole of the past could be present, as if her childhood days inched forward as slowly as the tortoise in the garden at home.
Godrevy Lighthouse
“It was pure joy to be with Mrs. Ramsay, lit by gleams from Godrevy, the conversation from the dining room too faint to understand. Mrs. Ramsay’s face seemed atop a statue, marble and firm. She looked so commanding suddenly, and Lily felt the rich essence of female connection, a fervent intensity because they were both women and Mrs. Ramsay was a mother. She gave Talland House a point of view, a sense of life, of its odd but necessary capacity.”
“Maggie Humm has brilliantly filled in the edges beyond Woolf’s canvas; she has a deep, awe-inspiring understanding of the role of the visual in Woolf’s work, and here she reveals that she also has a novelist’s gift to create something new, that has its own imaginative life, from that understanding.”
-Lauren Elkin, author of the award-winning Flaneuse
Author of Theatre of Dreams, Rosie Travers, knocked at the Handbag Gallery door with news of a new novel. The local landscape of Hampshire inspired Rosie Travers to write Your Secret’s Safe With Me. During walks along the riverside, her imagination became caught up in possible stories and intrigue. It is always a pleasure when a member of the Romantic Novelists’ Association contacts me to help celebrate a new release, so I invited Rosie to tell me more. She posted a wonderful letter from her golden postbox.
My new novel Your Secret’s Safe With Me explores the intricacies of family relationships and the consequences of keeping secrets. Pearl and Becca are a mother and daughter who have a successful professional working partnership. The family dynamic changes when romantic novelist Pearl announces her surprise engagement to Jack, a man she has only just met, and uproots Becca and her brother Freddy from their busy lives in London to her new fiancé’s home on the south coast.
It makes perfect sense to set my stories in familiar locations. I currently live in Hampshire, close to the River Hamble, a renowned sailing centre. The River Hamble is a busy, bustling place, but a little further along the coast at Beaulieu in the New Forest is another river, quieter and more isolated. Both rivers have historic boat-building pasts but are now bordered by luxury homes and frequented by leisure seekers, on and off the water, with picturesque riverside walks.
My fictional village of Kerridge encompasses a tight-knit rural riverside community, a little light nautical industry – fiancé Jack’s family-owned marina business, and a salt-marshy wilderness and nature reserve. It is an amalgamation of these two locations together with others nearby, and although the story centres on the changing relationship between mother and daughter, I obviously needed sub-plots and additional situations to test my characters’ resolve. This is where the natural habitat came into play.
Smuggling isn’t confined to Poldark country, and sadly modern day smugglers trade in far more dangerous goods than illicit contraband and kegs of rum. As I observed sleek shiny white motor cruisers and yachts gliding upstream on my regular riverside walks, my writer’s enquiring mind kicked in. I began to speculate who or what might be onboard and wondered how easy it would be, with a few more isolated creeks and remote hiding places, for some unscrupulous ‘sailors’ to conduct some illegal activities. My over-fertile imagination quickly envisaged a situation where unsuspecting newcomers to the local community could unwittingly become caught up in some treacherous intrigue. Throw in a former lover and past heartache for Becca, a wedding and a baby, and the story started telling itself.
The overriding tone of the novel is light-hearted, but the river winding through Pearl and Becca’s new surroundings became symbolic of their evolving relationship. Everything seems calm at first, but as the river reveals its hidden dangers, family secrets submerged for many years threaten to bubble to the surface.
As a writer, I am always interested in how authors seek inspiration. I like the sound of this novel and the hidden secrets. I wonder if all will end well. More about Rosie Travers:
Rosie grew up on the south coast of England and after initially training as a secretary she juggled a career in local government with raising her family. She moved to Southern California with her husband in 2009 and began a blog about life as an ex-pat wife which re-kindled a teenage desire to become a writer. On her return to the UK she took a part-time course in creative writing and following some success in short story competitions she joined the Romantic Novelists’ Association New Writers’ Scheme. Her debut novel, The Theatre of Dreams, was accepted for publication by Crooked Cat Books and officially launched on in August 2018. Her second book, Your Secret’s Safe With Me, is published on 18 February 2019.
Do you ever listen to song lyrics and wonder if they make any sense at all? A couple of eccentric blokes are leading ‘bonkers crusade’ to challenge niggles in pop song lyrics. I giggled at the concept for their book entitled Dear Mr. Pop star. ‘Dear Mr. Pop star’ consists of deliberately deranged and funny letters to iconic pop stars. Enough. I’ll let Derek Philpott explain in his own hilarious and unique style. Here’s the letter I received from Mister Postman.
‘Dear Mr Pop star’ consists of deliberately deranged and funny letters to iconic pop stars
Dear All
For nearly 10 ten years, with the increasing help of my lad, David, I have been on what is viewed by many as a quite bonkers crusade – writing good old-fashioned letters to pop and rock stars about their songs and band names. The thing is, and I hate to break this to you – a lot of them don’t make any sense!
For example: ”I was born this way,” declares ‘Lady Gaga’, but I would be very surprised if the young lady had entered the world in a frock made of Kermit The Frogs with a telephone on her head
Similarly, Mr. Jagger states that he sees a red door and wants to paint it black however one would recommend at least two strong undercoats before commencing his D.I.Y. task.
Similarly, Mr. Jagger states that he sees a red door and wants to paint it black however one would recommend at least two strong undercoats before commencing his D.I.Y. task. Failure to do so may lead to the intended black door actually turning out purple, owing to the strong primary colour that he is looking to supersede.
David noticed a long time ago that I had an uncanny knack of interpreting The Hit Parade and popular ‘tunes’ in quite a left-field fashion, either pointing out blatant lyrical ambiguities or, very often, completely getting the wrong end of the stick. He’d say things like:
“…but dad, it’s AC/DC, you can’t say that a Highway to Hell is a near impossible to construct thoroughfare towards an ethereal epicentre for dead bad people! They’re legends!” To which I would retort “Listen son, I don’t know who it is and I don’t care who it is. It doesn’t make sense.”
Did I manage to find the Highway to Hell?
We did try and get replies to these missives by sending them to the pop star’s record companies and managers and ‘official channels’, but we didn’t hear anything back. So we built a little website, put the letters up for all to see, and joined Facebook and continued our epistles there.
Then, as the popularity of the letters grew, the artists quite unexpectedly started to reply, pointing out exactly where the original communications went wrong … or right. So we published a book of the funniest letters and replies. That went swimmingly, so now we’re doing another called ”Dear Mr. Pop Star”, out later this year via Unbound with a Trade Edition through Penguin
Of course, it is not always possible to reach certain targets, hence many observations remain unanswered …
We hope you like our bizarre and silly world
Yours,
Derek Philpott
‘Dear Mr. Pop Star’ is out on 20th September. Let us know if you have any queries about lyrics and I will pass this on to the crusaders.
For more than a decade, Derek Philpott and his son, Dave, have been writing to pop stars from the 1960s to the 90s to take issue with the lyrics of some of their best-known songs.
But then, to their great surprise, the pop stars started writing back…
Dear Mr Pop Star contains 100 of Derek and Dave’s greatest hits, including correspondence with Katrina and the Waves, Tears for Fears, Squeeze, The Housemartins, Suzi Quatro, Devo, Deep Purple, Nik Kershaw, T Pau, Human League, Eurythmics, Wang Chung, EMF, Mott the Hoople, Heaven 17, Jesus Jones, Johnny Hates Jazz, Carter the Unstoppable Sex Machine, Chesney Hawkes and many, many more.
About the Derek and Dave Philpott
Derek and Dave Philpott are the nom de plumes of two ordinary members of the public, working with help from a small family and, crucially, a worldwide social networking community. Neither they, or anybody assisting with the creative aspects of this project had any connections with the music, entertainment, media or publishing industries whatsoever at the time of its commencement. Despite these humble origins, however, they now find themselves in the bizarre but enviable position whereby many pop stars and people within these circles are their friends “in real life” (whatever that means!). Many artists consider “getting a Dereking” as a badge of honour, and, as one has participant succinctly put it-
“This is an ingenious and extremely inventive concept. You have given us a platform to answer questions that have been asked of us for years by our fans and respond on a public platform of immense fun. You’ve created a weird and wonderful world loved and admired by 1,000s of people worldwide, and you have your own army of loyal fans. That pretty much makes you part of ‘us lot’ now!”
‘The Millennium Centre looked bold in its bronze armour…’ You Can’t Go It Alone by Jessie Cahalin
Storm Dennis raged in Wales, and I sought sanctuary in the Millennium Centre for an experience on my bucket list – my first opera.
The space age reception area of the theatre prepared me to be transported to the alien world of opera. ‘Beam me up, Mozart,’ I muttered as I waited for The Marriage of Figaro to begin. Convinced I would need to abscond from the three and a half hours marathon during the interval, I planned the best route for the exit.
The space age reception area of the theatre prepared me to be transported to the alien world of opera
My great uncle, a coal miner from Barnsley, was a great fan of opera and blasted out the music on his gramophone. I never met Great Uncle Jimmy but of family legend deemed him eccentric for a Barnsley lad. Always amused by an opera loving miner in the family, I had to discover if one could inherit this passion.
Opera seduced me with the very first note. The poetic actions of the performers showed me the way into the narrative. And the incredible harmonies of the signing convinced me that my Level 2 seat was in heaven. Performers blended their actions and singing and taught me the emotional language of an operatic performance. Suspended in the drama, I hardly looked at the subtitles.
Inside the theatre before the performance
For three hours, I felt as if I was able to interpret the Italian language that seemed perfect for the expression of the emotions. Wow! I now understand that Uncle Jimmy would enter a trance like state to escape the darkness and toil of his life under the ground. And I know he warned my late father, ‘Don’t go down the pit, lad.’
There were layers and layers of humour and then emotions. I do not think I blinked throughout the entire performance because I could not miss one single detail of this musical tapestry. I loved the way the opera tested loyalty and love and relationships, but I was not prepared for the wonderful comedy.
I am in love with opera
To me the final scene seemed to be an expression of joy and happiness when everyone found their equilibrium. I reached in my handbag for water to ease the emotion in my throat. I couldn’t believe it! The curtain call arrived too soon. It couldn’t possibly be the end because I hadn’t heard Figaro’s Aria – the tune I’d attempted to warbled for months before this experience. Where was it? Well, now I realise this is in the Barber of Seville. A perfect ending for me as I will have to return to watch the Barber of Seville later in the year.
I am in love with opera. However, I’m unsure if this love is passed down through Uncle Jimmy, my father’s uncle. My mother also attended the opera for the first time and adored it too. I have found a new love!
“I speak of love awake I speak of love in my dreams, To the water, the shadows, the mountains, To the flowers, the grass, the fountains.” Mozart, The Marriage of Figaro.
‘…picked by Teresa and her girlfriends from the meadows around the village.’
You are all invited to an Italian wedding feast. Dust off your gladrags and let Angela Petch tingle your taste buds with an extract from the final chapter of ‘Tuscan Roots’.
Extract
‘Teresa and her friends from the village have been busy for days in the kitchen, banning Anna from the food preparations..’
The railings on the steps to Il Casalone have been festooned with laurel branches, garlands of white roses and long strands of variegated ivy and Teresa and her friends from the village have been busy for days in the kitchen, banning Anna from the food preparations. The wedding meal and sharing of food is every bit as important a ritual as the nuptial mass. Tables are piled with a feast of colourful, appetising food, spread on freshly laundered Busatti linen. A warm, balmy October has followed a wet summer and so a separate round table is arranged outside on the terrace to hold a whole Parmesan cheese, cut into squares and served with sparkling Prosecco to each guest as they arrive. Teresa and her team have been busy with starters of roast peppers, courgettes and aubergines, pastries with asparagus and artichokes and melting soft cheeses, home-made cappelletti, small hat-shaped ravioli stuffed with chicken breast, lean beef, lemon zest and nutmeg – and tagliatelle, with Anna’s favourite fresh tomato and basil sauce.
‘And all this is to be washed down with glasses of full-bodied local Sangiovese and Chianti Classico.’
And for the main course, Teresa carries in a platter of whole roast suckling pig served with tiny potatoes kept from the ‘orto’, roasted in olive oil and pungent rosemary, a salad of flowers: nasturtiums, borage and marigold petals with young dandelion leaves, wild sorrel and rocket picked by Teresa and her girlfriends from the meadows around the village. And all this is to be washed down with glasses of full-bodied local Sangiovese and Chianti Classico.
End***
The food prepared by the locals, in the Italian Apennines, transcends time and bridges the gap between the generations.
The food prepared by the locals, in the Italian Apennines, transcends time and bridges the gap between the generations. I enjoyed ‘the stuffed zucchini flowers, little squares of crostini topped with spicy tomatoes, liver pate and a creamy relish made from dandelion flowers, roasted bay leaves topped with ovals of melted cheese.’ Food is prepared: to celebrate feasts, to welcome people into the home, to celebrate family occasions and to woo.
Let Angela Petch tingle your taste buds with her final chapter of ‘Tuscan Roots’.
Read Tuscan Roots, and you will not want to leave the romantic beauty of ‘indigo blue mountains’, or the ruins of Il Mulino (The Mill). You will be impressed with the bravery of the Italian community during the war, and you will not want to leave the blossoming romance. I highly recommend this book! Please read my whole review.
If you like Italy, you will enjoy this novel. A story of two women living in two different times. In 1943,in occupied Italy, Ines Santini’s sheltered existence is turned upside down when she meets Norman, an escaped British POW. Years later, Anna Swillland, their daughter, starts to unravel romantic and historical accounts from assorted documents left to her after her mother’s death. She travels to the beautiful Tuscan Apennines, where the story unfolds. In researching her parents’ past, she will discover secrets about the war, her parents and herself, which will change her life forever.
Angela’s Love Affair with Italy
Angela Petch in Italy
I live in the beautiful Italian Apennines for several months each year. Such an inspiring location.
My love affair with Italy was born at the age of seven when I moved with my family to Rome where we lived for six years. My father worked for the Commonwealth War Graves Commission and he made sure we learned Italian and visited many places during that time.
Later on I studied Italian at the University of Kent at Canterbury and afterwards worked in Sicily, where I met my husband. His Italian mother and British father met in Urbino in 1944 and married after a war-time romance.
Fran Clark writes as Rosa Temple, and she spends her days creating characters and story lines while drinking herbal tea and eating chocolate biscuits. Fran is an indie author and an author with HQ Digital. When Fran told me one of my favourite programmes ‘Escape to the Country’ inspired her latest novels, Dear … Anybody. I had to find out more.
I was born and brought up in London. Like many Londoners, I took for granted that I lived in one of the most visited and popular cities in the world. London, to me, was always ever just Home. To be honest I never took advantage of all the city had to offer, but in time I got tired of living there. Though I lived in a swanky complex of flats by the River Thames, it was still a complex of flats. I couldn’t handle living in such close proximity to my neighbours – lovely though some of them were.
I never ventured out much unless I had to. I hardly saw friends and family. Everyone was just so busy and it seemed that no one had time for anything apart from buying the latest consumer luxury and binge watching Netflix.
For about 10 years I’d been addicted to the television programme, ‘Escape To The Country’ and my passion for open spaces and tranquillity just grew and grew. My London friends and family thought I’d get bored if I left London, they thought I was crazy and were certainly going to miss me. And I’d miss them, but there was something missing in my life. Let’s face it, a quiet cottage in the country would be ideal for a writer!
Sydney, the heroine of the novel, uncovers hidden truths, secret loves and the possibility of romance lies in wait behind the counter of her favourite coffee shop.
I found the perfect cottage in the Herefordshire countryside, my youngest set off for uni and my husband I left London.
Sitting at my writer’s desk, I dreamed up the idea for Dear…Anybody? the story of London girl, Sydney, who moved to the countryside from London, but for her it was out of necessity. Sydney adapting to country life, discovering a strong sense of community and enjoying a healthier lifestyle with fresh air and a slower pace of life all came from my experience of life in the country. I watch Netflix an awful lot less now and I always take a morning walk along the country lanes. Not forgetting the trips to the farmer’s market.
My original ideas for Dear…Anybody? intertwined a love story with weird and sinister goings on in the fictitious village of Bridley. The published version does include one or two mysteries to solve, but eventually became a novel about love, friendships and finding your true home. I hope you enjoy reading it!
“I enjoyed this book about secret love, uncovering hidden truths and turning around your life for the best. A light read that warms the heart to the end.” Isabell, Dreaming With Eyes Open Reviews
A mother of two, Fran is married to a musician and recently moved from London to Herefordshire. To date, Fran has penned and self published four publications as Rosa Temple; Sleeping With Your Best Friend, Natalie’s Getting Married, Single by Christmas and Sleeping With Your Best Friend.
HQ Digital (Harper Collins) has published three books in Fran’s pseudonym, Rosa Temple. The first was Playing by the Rules in February 2017 followed by Playing Her Cards Right on 28th August 2017 and Playing for Keeps on 12th February 2018.
From a darkened corner of the room a figure appeared. ‘The Weight of Shadows’ is all he said, before collapsing at my feet; an ornate handled knife buried in his back. What could the victim’s last words possibly mean?
Greenway House
I met with author, Karl Holton, at Greenway House, and he had staged a dramatic introduction to his new book. He is an Agatha Christie fan and it seemed fitting to visit her holiday home. The house is deemed ‘the loveliest place in the world’, on the website, and it certainly lived up to expectation. I marvelled at the glorious view of the River Dart. Appropriately, Karl wanted to conduct the interview in the library. I inspected the library for a body, again, but it was safe. The light and airy library seemed a fitting place to inspire the great Agatha Christie. Karl waxed lyrical about the house and gave me some interesting facts about the great author.
Karl: Did you know that this house inspired Dead Man’s Folly? It’s one of the Poirot novels and it was the last ever ‘Poirot’ made by David Suchet playing the role of the great detective. They made it right here in the house and this was what she did so well; she adapted what she knew directly into the narrative.
Jessie: No, I wasn’t aware of that. I love the Poirot novels – they are great fun. My husband can watch Poirot programmes all day. Who is your favourite TV Poirot? I like Albert Finney. I’m not sure if that was TV or film.
Karl: For me, David Suchet is the quintessential ‘Poirot’.
Jessie: Of course, yes he was brilliant – he was Poirot. We digress, can you tell me about ‘The Weight of the Shadows’?
Karl delved into his rucksack. Strangely enough, his rucksack was full of his favourite Agatha Christie novels, and he proceeded to display some of the novel on the table. Finally, the actor, who had performed earlier, reappeared with a copy of Karl’s novel. The cover of ‘The Weight of the Shadows’ is modern and suggests a fast-paced plot set in London.
Karl: At one level ‘The Weight of the Shadows’ is an entertaining crime thriller mystery with plot twists and turns. At another level it is the first six days at the beginning of a series that introduces some interesting characters and a narrative that has subtle and, I hope, thought provoking subjects.
Jessie: Crime thrillers are always popular. It’s a great genre to establish a fanbase. What have the reviewers said about your new book?
Smiling, Karl started to recall some of the reviews.
Karl: “an intriguing plot, thoughtful, profound themes, complex troubling characters, and language that make us shudder for its honesty, clarity, and confidence” – Piaras O Cionnaoith
“irresistible book, impossible to put down” – Bookgirl Sulagna
“a story that is intense and heart-pounding!” – Elaine Emmerick
Jessie: I’m impressed that you have already commenced your second book. We are in an ideal place to read. Can you read an extract from the book to tempt the reader?
Karl: It’s a real privilege to read here in Agatha Christie’s library.
Benedict was motionless with one thought. Never give up.
She pushed the tip of the blade in and under the skin on his chest, near his heart.
Karl: This extract is only a few words, but the importance of these at the start of the narrative is significant.
Jessie: A great choice – you certainly hook the reader into the narrative. I can tell that you enjoyed constructing the narrative and the characters. How did you feel when you had finished writing your book, and did you miss any of the characters?
Karl: The euphoria of finishing was quickly met by the realisation that as an indie author the work had just started. Apart from the marketing, reviews, social media etc. I remembered that I needed to start working on the second book in the series.
Given the second book in the series starts the day after the end of this first book I’ve not really had the opportunity to miss the characters.
Jessie: Who would you like to read your book and why? This could be another author, someone famous, a friend or a member of your family.
Karl: If I were choosing an author it would be Agatha Christie. We could discuss the pace of the plot and sub-plots.
If it were someone famous (and alive) I’d ask Stephen Fry to review the book. Within the series I’m going to try to examine and compare some cognitive and emotive subjects through the plot, characters and narrative. I’d really like to discuss these with him.
Karl Holton
Jessie: Why should I keep your book in my handbag?
Karl: Well I hope it has a plot that keeps you guessing and is enjoyable as it begins to reveal itself. If you read some of the reviews you will notice that it’s not clear what the connections are at the start and then the plot arcs entwine; that’s very deliberate.
Jessie: What is the last sentence written in your writer’s notebook?
Karl: ‘Nice nails’ – you’ll have to read the book to see why I might have written that down.
Jessie: What is the biggest challenge for an author?
Karl: This is a really interesting question because it will very much depend upon what type of author you want to be. A full-time author who wants a publisher to do everything for them will have a very different set of challenges compared to an indie with a job who is happy selling a few books a month. I’m going to give you my answer based upon what I am, which is an indie who is trying to make this my full-time job.
My single biggest challenge is becoming known enough so that people take a chance and buy, read and review the book. As an indie author, you have no one to help this happen so you need to do it and this takes a significant amount of both time and commitment. In a world where we have over 200k books published in the UK per year and possibly 1 million in the US, just being seen is a challenge that any aspiring author should not understate.
I have discussed this issue with other authors, both published and indie. Personally, I think many really talented authors will either give up or just never be seen because they get lost in this ‘jungle’.
Jessie: What is the best advice that you have received as a writer?
Karl: Get an editor.
About Karl
Karl is a chartered accountant who previously worked in financial markets for over thirty years. He has collected books his whole life with a focus on London and crime fiction. He is married with two children and lives in Surrey.
Karl is very animated when talking about his book. It is clear he is dedicated to his writing and is very industrious. Many reviews say that the book is ‘spine tingling’ and ‘irresistible’ I do hope that Karl’s debut novel is successful and wish him the best of luck with his novel.
Carol Drinkwater’s The Forgotten Summer is safely stored in my handbag and can be enjoyed at any time, but a generous glass of Chateauneuf du Pape is a recommended companion.
I devoured Drinkwater’s memoirs and drank up her wisdom, and her novel, Forgotten Summer, did not disappoint me. Drinkwater wraps up her nuggets of wisdom, and powerful observations, in a beautifully crafted narrative.
This is so much more than the story of an English girl that fell in love with a Frenchman. Jane’s memories of her life, thirty years on, are the starting point for Jane’s exploration of another world that her husband inhabited.
Read the complete review of Forgotten Summer in My Reading.
Drinkwater books are like my old friends. I started this reading friendship with the Olive Farm books.
I escaped into the world of Apassionata immediately. I could feel the heat of the sun on my face as I ran away to the Mediterranean, with the narrator’s voice in my head. The descriptions are vivid, soothing and thoroughly necessary; they nourish the imagination and transport you.
Read the complete review of The Olive Farm in My Reading.
The Crime and Coffee Festival beckoned me to Cardiff Library to solve the mystery of writing and publishing. The workshop: Cut, Slash and Perfect promised to reveal more about the writing and traditional publishing journey. As I passed the crime scene tape surrounding the bookshelves, I did wonder if any authors had been lost during the cutting, slashing and perfecting process. I went undercover to find out more about traditional publishing. Would I need an agent, and would I need a sharper pair of scissors?
The panel discussion with: Thorne Moore, Caroline Oakely and Judith Barrow. Has Judith spotted Jessie?
Authors, Judith Barrow and Thorne Moore, chatted with the editor, Caroline Oakley, of Honno Press about publishing. The entertaining chat provided food for thought for all authors who wish to publish their work. As I listened, I captured some of the main points and discovered what makes editors cut and authors cry. The panel put me at ease, and I was able to remove my disguise as an indie author.
Introducing Caroline Oakley who is the editor at Honno Press
Caroline has worked in general trade publishing for over thirty years and has edited a number of award winning and bestselling authors. Caroline works for, Honno Press, an independent Welsh Women’s publisher in Wales.
Clues from the Editor
Caroline gave a balanced overview of publishing
Big publishers only work through agents.
A good editor is key to success for all authors
Agents often have useful contacts within the publishing world and deal with the contracts. Care must be taken when selecting an agent because, as in all businesses, there are inefficient, self –styled experts, with little experience, out there. Google and search for those authors who write in your genre to find out the names of the agents who deal with your kind of book before submitting. You can approach independent and smaller publishers with or without an agent. Find out what this kind of publisher wants before approaching them. Research their website; look at the work of the signed authors. Take your time to select the appropriate one for your genre; consider how much advance that publisher pays, the amount of royalties for sold books you will get, your rights (such as audio and foreign rights for your work) and the terms and conditions of your contract. You must read the small print!
Don’t get disheartened with rejection letters sent to publishers. Hope your manuscript reaches the publisher at the right time (by this I mean that it’s not a miserable Monday morning for them, or they’ve not had a quarrel with a partner or their family – or they’ve not had a week of wading through a pile of “not very good” manuscripts before they get to yours)– it is subjective.
Indie publishing has its challenges, but it gives you more control and you get all the profit. The Indie author deals with every element of the process; from the writing to choosing the cover, the blurb formatting, publication and marketing. Traditionally published authors also are expected to promote and market. Indie publishing is time- consuming but as I said before, they do have complete control over their work.
The venue – Cardiff Library
Whichever publishing route you choose, you must get yourself an editor! Although time-consuming (and sometimes devastating!) you must go through the cut, slash perfect process. A good editor will identify gaps, things that possibly don’t work in your writing, mistakes such as change of dates of characters’ birthdays or colour of eyes in different parts of the book, errors in time scale etc.. But will not tell you what to do, only point out those mistakes and suggest changes to make your work stronger.
It is advisable that every author, whether self-published or traditionally published, has a website, blog and social media accounts.
Judith Barrow has published four books with Honno Press. She writes historical family saga fiction. She has also self-published books and a collection of short stories of the minor characters in her trilogy.
What did Judith say about her publishing journey?
Judith Barrow and Thorne Moore are published by Honno Press
I love working with Honno Press. The staff are friendly and accessible. As a writer you learn what you can and cannot get away with. I have built up trust with the editor who I know has had a long and professional career in all genres. And, although Honno Press also organises the front cover for the books, they have allowed me input to the final decision .
Working with Honno Press provides me with quality, professional editing. I cry every time, I get the editor’s comments, but I know, in my heart, it makes the work better. An editor will read your book line by line and give an overview. A good editor will ask the right questions but will not give you the answers. When you edit your work, you must keep your own voice.
I do not send my very first draft to an editor and probably have about ten revisions. I ask my friend, who is an author, to give me an honest opinion on anything I have doubts about. I am also a member of a writing group and we email sections of our books for discussion. But do, avoid too much input from too many sources into your work as it can confuse you – have a small trusted network of writers. Believe in yourself! The cut, slash and perfect stages involves a first general edit, as many more detailed edits then necessary to get the writing to its best, a line by line edit to weed out any noticeable mistakes and then a proof read by the publisher’s proof reader. Finally, it comes back to me for a last read to make sure all is correct. I do like this final stage; it does make me feel as though I have control over the end product to some degree.
Thorne had published three books with Honno Fiction and writes domestic noir and psychological fiction. Thorne has self-published and works with two publishers.
What did Thorne say about publishing?
She has self-published short stories in order to market a published book. The different publishers are relevant to the books promoted. Regardless of how the books are published, the author must have a good editor.
A writer needs an editor to stand on the mountain and look down on your work. During the writing process the author becomes too absorbed to be objective. Through the feedback from the editor, you learn to write. The editor will locate your common mistakes then you will avoid these in subsequent drafts.
You do need a small critical group of friends who will give you constructive criticism.
Don’t worry about the reviews. Jane Austin has plenty of one star and two star reviews on Amazon.
Don’t give up! I was rejected by Honno at first. In an interview with Thorne, she told me about the trials and tribulations of her publishing journey. This story of Thorne’s publishing journey will be published very soon.
A good editor is key to success for all authors: traditionally published and self-published need a good editor. A good editor will identify gaps in your work and ask the right questions. My editor forced me to ask lots of questions about my book and rework sections. I learnt a great deal about my writing through this process. As a self-published author I have involved a professional editor, beta readers and other authors. One must be careful of making new mistakes in a new edit – it is expensive to pay for all the various stages of the edit. I understand the security of working with an independent publisher who provides an editor. The indie author has greater control of the book but must complete all stages of the process including the book cover and the marketing. In the end, all clues pointed towards the importance of a professional editor during the publishing process. No matter how many times the author sharpens the scissors to cut, they still need an editor and dosh to pay for quality. Clearly, this wasn’t an open and shut case and more investigation needed to be completed.
Clue of the Day
Narbeth Book Fair – see Judith, Thorne and Jessie!
Caroline suggested the market for the unreliable narrator in all genres will change. Like fashion in clothes, fashion in books also changes. No one knows what will be the next ‘in thing’ for novels.
You can book individual session with Caroline Oakley of Honno Press for £35. For more information visit the Narberth Book Fair website. Children’s writers can book sessions with Firefly Press.
Rhoda Baxter – author of romantic comedies about smart women
Rhoda Baxter
Beverley, East Yorkshire
The beautiful cobbled streets of Beverley, East Yorkshire, proved a little difficult on the icy winter’s day. It was such a nostalgic trip for me as we had visited some dear friends there over a decade ago. Amazingly, Cut-Price Bookshop was still there, and I hope Rhoda would direct me there later, as I had a great big pink bag ready. Although bracing, the cool air had brought a beautiful covering of snow to the ancient town. It was very tempting to stop and browse in the independent shops, but I was meeting Rhoda Baxter, romantic novelist, in ten minutes.
Rhoda’s latest novel in her favourite bag
Wrapped in a long, dark coat, large colourful scarf and wearing my Ugg boots, I quickened my pace the tiny Bistro. Rhoda smiled, greeted me and organised a lovely array of tea and cakes. My favourite sweet treats were the double chocolate brownies. I removed my coat and sat on one of the bistro chairs. Rhoda was bundled up against the cold and had to remove several layers before she got down to hear practical jeans and sweater. She retrieved her book entitled Girl in Trouble from her multicoloured handbag. It was such a delight for me to be back in Yorkshire speaking with a fellow Yorkshire lass.
Jessie: It is wonderful to be back in Yorkshire. What do you like most about Yorkshire?
Rhoda: The people! Everyone is so friendly here and there so much less tension in the day to day interactions. I lived down south for a while and whenever we go back to visit friends, we feel the difference immediately. My youngest, who can’t remember living anywhere but here, is always surprised at how when she says hello to people in London, they ignore her!
Also, I’m a big fan of cake. Beverley and York have some amazing cake shops.
I retrieved a copy of Rhoda’s book, ‘Girl in Trouble’, from my handbag. It was easy to spot the familiar bright cover of a glamorous character on the jacket. As we waited for more tea to arrive we settled to discuss Rhoda’s work.
Jessie:Your romantic novels look great. Your characters look feisty and fun and Sue Moorcroft described them as ‘the real deal’. Tell me about your characters. Can you capture the essence of ‘Girl in Trouble’ in a few sentences?
Rhoda’s latest book – The Girl in Trouble
Rhoda: My characters often just turn up in my head and start talking. I don’t know their stories, but I know their voices. I’ve had several readers say that my characters feel real to them. That’s the highest praise, as far as I’m concerned. My characters are real to me. They live in my head for the duration while I’m writing their book and I miss them when I finish the story.
One of the reasons I started writing was because in the early 2000s, I got into reading romances and I felt that only a certain type of person was represented in popular romance. All the women were likable and unobjectionable, and all the men were super confident, well-muscled and over bearing. Where were the nice guys? Or the women who were smart and career minded? Or even ones who were slightly hard edged?
Girl in Trouble is about two people who are a little different to what society expects. Olivia is a ladette and there isn’t much that will faze her. Walter is a nice guy and is scared of spiders. One of their first interactions is when Olivia has to rescue him from a spider. Olivia is adamant she doesn’t need a man in her life, even when things go horribly wrong. How can Walter persuade the most independent woman he’s ever met to accept his help, let alone his heart?
Jessie: I know you have been nominated for writing awards. What have the reviewers said about ‘Girl in Trouble’?
Rhoda gave a wry smile then scrolled through the reviews of her novel on Amazon.
Rhoda:
Most people said it made them laugh and cry in equal measure. I love that!
” there was a real punch of emotional depth – one minute I’d be grinning at what the characters were saying or doing and the next I was fighting tears.” (Amazon review)
“This book with make you laugh out loud at times but will also frustrate you and make you cry. Everything you need for a great romance. ” (Amazon review)
“Baxter’s narrative sets up the sentimental situation only to send it spinning in entirely unexpected directions.” (Romance Novels for Feminists)
Jessie: ‘Girl in Trouble’ sounds like a romance with a strong character – perfect! Can you read a brief extract to tempt the reader?
Rhoda: He leaned back, flustered. Much as he found her attractive, the idea of being pounced on by her was a tiny bit scary. But, only a tiny bit. Which wasn’t all that scary, come to think of it.
Jessie:Wow! Your book sounds like fun! I can sense you enjoyed interacting with your characters. How did you feel when you had finished writing your book, and did you miss any of the characters?
Rhoda: I missed the characters so much that I wrote a follow up novella! Olivia first appeared as a minor character in ‘Girl Having A Ball’ (which was nominated for a RoNA Romantic Novel of the Year award). She’s confident and independent and doesn’t take crap from anyone. I loved her so much that I had to write this book to see what happened to her. I wish I was more like Olivia really. Walter, the hero, is a nice guy. I like beta heroes because they usually have wit and charm (as well being attractive) and I know I’d like to spend time with a man like that!
Jessie:I love the way you present the characters you want to spend time with. It must be great to create the characters you are fond of. Who would you like to read your book and why? This could be another author, someone famous, a friend or a member of your family.
Rhoda: I’ve love for Emma Watson to read my book. ‘Girl In Trouble’ has a major theme of fathers and daughters, but underneath there’s quite a lot about gender stereotyping and the double standards that we apply to men and women. Boys don’t cry. Girls don’t climb trees (or whatever). I think it would chime with a lot of things Emma Watson raised in her He For She speech.
Jessie: Why should I keep your book in my handbag?
Because it will make you laugh and cry and, by the end, you’ll have met some people who feel like they are real friends.
Jessie: Tell me about your favourite handbag.
Rhoda’s latest novel in her favourite bag
Rhoda:The bag is from a shop in Sri Lanka called Barefoot. They make wonderful things out of handloom fabrics. This bag has loads of little pockets inside, so that I can find what I’m looking for (I have two youngish kids – being able to find the packet of tissues at just the right moment is very important!). It’s a colourful, but sensible bag because I can fill it with useful things, sling it across me and run.
Jessie:What is the last sentence written in your writer’s notebook?
Rhoda: ‘beachwear and cocktail umbrellas?’ It’s a note to myself to figure out some details about my characters who are stranded on a tropical island with only a few bags they took on holiday. I liked the idea of them having a box of something that is completely useless – like cocktail umbrellas. They’re red, these cocktail umbrellas. They must be useful for something, right?
Jessie:What is the biggest challenge for an author?
Rhoda: Keeping going. I write because I love it and I don’t know what else I’d do with these people who keep popping up in my head. Writing books is hard, but marketing is harder. Nowadays, authors are expected to do a lot of marketing themselves and really, most of us are very shy. I can’t think of anything worse that going up to a stranger and saying ‘hey, I’ve written a book, wanna buy a copy’… but that is exactly what I need to learn to do.
Jessie: Where is your favourite writing place?
Rhoda’s writing shed
Rhoda: My favourite writing place is really my bed – but you don’t want a picture of me in my scratty pyjamas. So here’s a picture of my shed instead. I often sit in there at the weekend and do my editing work. There’s a battered old sofa and a collection of blankets in there, so it’s lovely and cosy even when it’s not the sunniest of days.
Jessie:What is the best advice that you have received as a writer?
Rhoda: Write. Edit. Submit. Repeat. Improve each time you go round the cycle.
About Rhoda
She is fond of cake, British comedy and Lego Stormtroopers.
Rhoda is very serious about girls being allowed to do whatever they feel a passion for. Rhoda is also serious about cake. she’d choose tea and cake over alcohol any day.
Rhoda likes to see the humour in a situation, she says it’s her way of dealing with the dark side of life.
It was wonderful to meet a fun, Yorkshire lass in Beverley. Rhoda adds feisty, independent women in her books and that is appealing. Rhoda’s lively, positive nature suggests her books will be a joy to read. Best of luck to Rhoda with ‘Girl in Trouble’.
You can contact her via Twitter (@rhodabaxter), Facebook or just drop her an email at rhodabaxter@gmail.com, or visit her website at rhodabaxter.com.
Her book, ‘Girl Having a Ball’ was shortlisted for RoNA award (Best Romantic Comedy) 2017.
Are you ready for a Christmas novel with a difference? Having heard about Evonne’s Christmas romantic suspense novel, I had to ask more questions about What Happens at Christmas. We grabbed a corner of the café in Waterstone’s, and Evonne intrigued me with the promise of lots of twists and turns in the narrative. It is time for a Christmas book with a kidnapping from Evonne. Don’t worry, I think Santa is safe!
Jessie: I love to listen about the stories you are developing. You always get so involved with the characters and the research. Tell me about your Christmas book, What Happens at Christmas.
What Happens at Christmas is a festive themed romantic suspense
Evonne: What Happens at Christmas is a festive themed romantic suspense – so as well as the traditional things, like mince pies, carols and snow, it also has kidnapping and some nasty villains. Some of the festive things – a particular carol that is sung at a crucial moment, and the freak snow storm that I organised for the Brecon Beacons, are components of the plot – if you are looking for something a bit different in a Christmas read, it might be for you.
Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?
Evonne: It’s always a bit of a wrench to finish a book, even when you know you have left your characters in a good place – all except the villains, of course. You have spent many months with them and you know all their secrets. I especially enjoyed keeping company with Lori and Drew, and I do have a sort of idea for another plot that would involve them. As they now have their HEA, it would need another couple for the developing love story though, so we shall just have to wait and see on that.
Jessie: Did any of your characters misbehave when you were writing the book?
Evonne: Always. They talk back, they refuse to do what you expect them to do, they do things that are totally incomprehensible and only make sense fifty pages later, they complain about the plot … Some of my more alpha heroes refuse to talk at all. I’ve got used to it now. At least no-one has yet refused to fall in love with the right person. Yet.
You will find yourself transported to this setting. It is the Brecon Beacons in Wales.
Jessie: Why should I keep your book in my handbag?
Evonne: you are looking for something a bit more edgy for a seasonal read, What Happens at Christmas has suspense and danger along with the love story. The hero, Drew, is a writer who has a dare-devil streak. It gets him into some serious trouble, which Lori, the heroine, helps him out of, with the assistance of her four year old niece. A large part of the book is set at Christmas, but the story travels over the space of a year, during which time the character’s lives change considerably. I like to think Drew learns that he shouldn’t throw himself into things quite so recklessly. There are actually two very different Christmas celebrations in the book. Two lots of Christmas magic, and Lori finds that in between, some of dearest dreams have come true.
Jessie: Two lots of Christmas magic is perfect. It’s sound as if you have the story all wrapped up and ready for the readers. I am intrigued about your next project.What is the last sentence written in your writer’s notebook?
Evonne: It’s not exactly a sentence in a note book, it’s a post-it note, and it’s a time line for the names and ages of a set of characters. I love time lines. I always have to work out the ages of everyone who features significantly in the book, and how they relate to each other. One of my writer’s quirks. This one was a bit of a mystery when I found it, but I have now worked out that it relates to the hero and his two older brothers, in a novella that I hope will be out for Christmas 2020.
Jessie: I notice you’ve written four books and have lots of experience of writing. What is the biggest challenge for an author?
Evonne: For me, it’s keeping up the quality of the work. I want to give the reader the best possible experience inside the covers of a book that I can manage. I want each of the stories to be different, but all of them exciting and enjoyable. If I can create a page-turning book, that the reader can’t put down, then my work is done. That’s the aim, anyway.
Peek inside the world of Evonne’s writing world.
Jessie:What is the best advice that you have received as a writer?
Evonne: ‘Keep going!’ A lot of other writers will say the same. You need stamina and persistence, when the rejections pile up. It was a long time, and many experiments in genres, before I found out what I really wanted to write, and finally got a publishing deal. During that time I learned a lot about the craft of writing, and I have to thank the Romantic Novelists’ Association for the help and encouragement I received. Once you have a deal, you also learn a lot from having a professional edit. It’s flattering and scary to have the attention of an expert focussed on your work.
Evonne writes romantic thrillers and romantic comedies. Her first published novel, Never Coming Home, won the Joan Hessayon award for the best debut novel of the year, presented by the Romantic Novelists’ Association. She likes writing about romantic locations, food, art, architecture, pretty clothes, shoes, nasty villains, brooding heroes and independent heroines. You can find out more about her books and her writing on her website.
Contact details and book links
You can find Evonne at Her blog http://evonneonwednesday.blogspot.com where she talks about writing and books and history and life and interesting places and research and anything else that comes into her head, every Wednesday.
On Twitter @evonnewareham
On Facebook as evonnewarehamauthor
Or you can contact her through her website www.evonnewareham.com
The mystical ‘That Summer at the Seahorse Hotel’ enchanted me, so I asked Adrienne Vaughan to tempt you with a magical extract. As it is Valentines’s Day, Adrienne has kindly organised a free, signed copy for the lucky competition winner. Will Leela deal you a lucky tarot card?
This is the story of a family with secrets, but one particular secret has tainted all their lives. Now, with crisis looming, it looks like the revelation of this secret will change everything, forever.
Set on the Irish coast, The Seahorse Hotel is a mystical, magical place. This extract features the housekeeper Leela and her Tarot, a guiding light which has seen the family through many dramas over the years.
It’s the perfect story to sweep the reader away to another time and place. Set in the present day yet laced with memories, The Seahorse Hotel, brings a web of lies, intrigue and betrayal to the fore and with the family at a crossroads, makes you wonder if the shadows of the past will blight their future or give them the faith to forge their own way in the world.
‘Fenella sat back as Leela’s fingers glided across the pack; gold and purple shapes and swirls.’
Leela dealt until there were nine cards face down between them. Moving left to right, she turned the first card over.
“Remind me, which is this?” Fenella said, touching the card.
Leela hushed her. “Wait until the hand is out. I need to see the complete picture.”
Fenella sat back as Leela’s fingers glided across the pack; gold and purple shapes and swirls. Turning them over she watched the jewel colours of the illustrations, faded now, corners worn, and was again the little girl in the library, entranced as Mrs Fitzgerald, diamonds flashing, tapped each card, explaining every symbol and the impact it would have on the life of the person before her.
“What is it?” Fenella asked.
Leela kept her eyes fixed on the cards.
Take a seat in Archie’s world: ‘Champagne makes everything better’
“You’re at a crossroads.” Leela pointed at the Hanged Man. “The road you decide to take will be life changing. There’s turmoil, conflict in close relationships.” She tapped the Ace of Cups. “I love this one, emotional happiness, home and family.” She thought for a moment. The Seven of Swords lay before her. “Hmm, this fella, possibly betrayal, someone getting away with something. Wonder what that could be?”
Fenella looked away, a squall was building out in the bay.
Mia Flanagan has never been told who her father is and aged ten, stopped asking. Haunted by this, she remains a dutiful daughter who would never bring scandal or shame on her beautiful and famously single mother.
One family, one secret – that changes everything forever
So when Archie Fitzgerald, one of Hollywood’s favourite actors, decided to leave Mia his Irish estate- she asks herself – is he her father after all?
That Summer at the Seahorse Hotel is a tale of passion, jealousy and betrayal – and the ghost of a secret love that binds this colourful cast yet still threatens, after all these years, to tear each of them apart.
One family, one secret – that changes everything forever
Praise for Adrienne Vaughan
‘The story-telling has the same charm and magic I’ve always found in a Maeve Binchy’ Elaine G (Top 100 Amazon Reviewer)
‘Adrienne Vaughan writes just beautifully – all of life is here – and I loved every moment.’ Welsh Annie (Top 1000 Reviewer Vine Voice)
‘I think all Adrienne Vaughan’s books are just fabulous.’- Nikki Bywater, book blogger.
More about Adrienne Vaughan
Adrienne Vaughan
Adrienne Vaughan has been making up stories since she could speak; primarily to entertain her sister Reta, who from a very early age never allowed a plot or character to be repeated – tough gig!
As soon as she could pick up a pen, she started writing them down. No surprise she wanted to be a journalist; ideally the editor of a glossy music and fashion magazine, so she could meet and marry a rock star – some of that came true! And in common with so many, she still holds the burning ambition to be a ‘Bond Girl’.
Adrienne is a fun, lively author and this translates into her writing: she is a natural storyteller.
Adrienne felt exhausted but happy when she had finished writing That Summer at the Seahorse Hotel. She said, ‘This book, like some of the characters, was wilful and demanding. I miss Archie, but in many ways, he’ll always be around now.’
Meet Archie and the rest of the entertaining characters That Summer at the Seahorse Hotel. Pack your bags, go to Ireland to find out what happened ‘that summer’. Read the enchanting story from the author who believes in mermaids…
You can enter Adrienne’s competition to win a signed copy of this novel if you email her at: mailto:adrienne@adriennevaughan.com. Mark the subject of the email ‘Competition Entry’. Good luck!
On our pilgrimage to Canterbury, we decided to stop in Wye, Kent, for provisions. We collected our daily bread in Wye Bakery, Kent, and I found myself lost in another age. Allow me some creative liberty in my tale…
The quaint Wye Bakery is accessed via an ancient, mysterious corridor constructed three hundred years ago.
An ancient, mysterious corridor constructed three hundred years ago
Walking through the corridor transported my imagination back in time. The Franklin, from The Canterbury Tales, invited us inside to taste the bread. Alas, we did not wish to dip the lovely bread into wine, particularly at such an early hour. We thanked the Franklin for his hospitality and bid him to return to Chaucer’s England. The ancient vision dissolved, as the aroma of fresh bread brought us back to the present day.
Mother and daughter are passionate about the health benefits of traditional, slow baking.
Inside, we were greeted by the baker, Mrs Hickson, and her daughter. Mother and daughter are passionate about the health benefits of traditional, slow baking. It is hoped that Mrs Hickson’s daughter will be able to apply her Nutrition Degree to the business.
The pastries were buttery, crumbly and utterly delicious. The bread had a wonderful robust structure and a delicate taste like sour dough. Is there anything more comforting than simple bread and butter? One could taste the attention to detail in every single crumb.
I heard Robert Browning say:
‘If thou tasteth a crust of bread, thou tasteth all the stars and all the heavens.’
‘If thou tasteth a crust of bread, thou tasteth all the stars and all the heavens.’
Indeed, the taste of the bread is heavenly. I only wished that we could have consumed the bakery’s cakes, in the lovely coffee shop opposite.
I urge you to visit Wye Bakery. It is refreshing to listen to Mrs Hickson wax lyrical about a business that consumes sixteen hours of her day. Taste the delights of the labour of love that could be your daily bread.
I filled my bag with bread and cakes, rather than books on this day
I filled my bag with bread and cakes, rather than books on this day. At the time of writing this article, the adjacent shop was being renovated to house the bakery. I hope to return to see this finished, but if you have visited recently then email me about it.
The train moved through the ancient, rugged North York Moors. A whistle nudged me from the stories in my imagination, and I noticed the sign for Goathland Station. Sharon waited on the platform, wearing jeans and a sunshine yellow top. Initially, she failed to notice me as she wrote furiously in her notebook. A Mediterranean sky greeted us both as we headed towards the village. Immersed in the pages of a picture of book as we walked to the village, I reflected that Sharon had chosen an ideal inspiration for the setting of her fictional village, Bramblewick, as it was like being immersed in the pages of a picture book. As we sauntered, we chatted about every detail of the charming setting – Sharon is fantastic company. We laughed at the sheep wandering through the village as if they were going out shopping for the day.
We laughed at the sheep wandering through the village
As a fan of ‘Heartbeat’, also set in Goathland, I wanted to visit the ‘Aidensfield Arms’, which Sharon told me was also the place she had in mind when she created Bramblewick’s pub, The Bay Horse. As I recounted my favourite character of Greengrass in Heartbeat, we reached The Goathland Hotel, the Heartbeat pub itself. Without speaking we both walked towards the inviting old inn. We bought soft drinks and settled at a table in the beer garden.
Jessie: Sharon, this is the perfect setting to inspire your romance novels. Who wouldn’t want to escape to Goathland to make a fresh start? What is Fresh Starts at Folly Farm about?
Sharon: Goathland first came to my attention when I was holidaying nearby, in the very week that Heartbeat started on television. Of course, we had to visit the place, and I loved it immediately. We’ve been back on many occasions since then. I love the surrounding moorland, the beautiful stone buildings, and all these gorgeous sheep wandering the roads! It’s about an hour and a half drive from my home but so worth it. Bramblewick was first mentioned in one of my Kearton Bay novels, A Kiss from a Rose, and I had Goathland in mind even then. (I’ve created a whole fictional network of villages and towns which are cross referenced throughout my books, with Whitby as the place which anchors them in a real location.) When it came to writing a series about a North York Moors village, where else was I going to look? As you saw when you arrived by train, there is a beck and a stone bridge that leads to the village. I simply moved them so that the main street is at the side of the water. Now that I’m up to the third book in the series, this place feels so comfortable and familiar to me. Fresh Starts at Folly Farm is a story of new beginnings, home and family. Even when life has let you down, love can heal the deepest wounds. In a run-down farm on the North York Moors, both animals and humans discover it’s never too late to start again.
Jessie: Please can you read a tempting extract from your novel?
Their animals have such a glorious life and are given so much care and attention and oodles of love.
Sharon: “What is it?” Sam peered into the box and let out a cry of wonder at the sight of a tiny ginger kitten, fast asleep on his blanket.
“Another rescue case?”
Xander gave Rachel a sheepish smile. “‘Fraid so.”
Jessie: I love it! I can already feel the warmth of the characters – it sounds like the perfect escapist novel. What do the reviewers say about your Fresh Starts at Folly Farm?
Sharon: I’ve been lucky to have excellent reviews for my Bramblewick books. They’re quite gentle stories and seem to be very popular. I was aiming for a “Sunday night television series” sort of feel, and I hope I’ve succeeded. Readers certainly seem to be enjoying Fresh Starts at Folly Farm.
Sharon retrieved her phone from her Harry Potter satchel – which she was carrying in honour of the fact that Goathland train station featured as the Hogwarts Express stop at Hogsmeade in the Harry Potter films – then searched for the reviews.
“It takes much awareness and a great sense of balance to treat certain topics without sounding trivial or superficial, nor tragic. This story is pure emotion. Sharon Booth never ceases to amaze me.” ~ Isabella, Amazon reviewer
“This book had me hooked from the start. I have read all of Sharon’s previous stories and this ranks as one of my favourites.” ~ DJW, Amazon reviewer.
“I just love Bramblewick books and can’t wait for the next one!” ~ Writer up the Hill.
Jessie: It must be a joy to escape to Bramblewick to follow the lives of your characters. How did you feel when you had finished writing your book, and did you miss any of the characters?
Sharon: It’s always mixed feelings when I finish writing a book. I feel quite sad to say goodbye to the characters, but I’m also highly relieved that the job’s done, because I’m never convinced I’ll be able to write another novel, so it’s always great when I prove myself wrong! I haven’t really had time to miss the characters at Folly Farm yet, as I’ve been busy working on my next book, but I know I’ll be going back to Bramblewick again soon, so I can catch up with my fictional friends before too long.
Jessie: Who would you like to read your book and why? This could be another author, someone famous, a friend or a member of your family.
Guaranteed to put a smile on your face and a warm feeling in your heart.
Sharon: I’d like as many people as possible to visit Folly Farm! Specifically, I’d love my daughter and daughter-in-law to read it, as they inspired me so much with this story. Two of the animals in the book are based on two of their own animals, and they’ve got so many pets, including a couple of rescue cases. Their animals have such a glorious life and are given so much care and attention and oodles of love. I’m very proud of them and the way they have given second chances to two very special creatures. I could write a whole series just about them!
Jessie: The books are a wonderful tribute to your family – how wonderful! I must admit Fresh Start at Folly Farm sound delicious but why should I keep your book in my handbag?
Sharon: Because it’s a real feel-good story, guaranteed to put a smile on your face and a warm feeling in your heart. If you watch or read the news, it’s easy to believe that this is a cruel, heartless world. Fresh Starts at Folly Farm will remind you that there are good, kind people, and there’s always a chance for love and a new beginning – whether you’re an animal or a human.
Jessie: Your stories sound like a great joy for your readers and they eagerly await the next book. I am delighted to hear you are writing another novel. What is the last sentence written in your writer’s notebook?
Sharon: “What will be the outcome of that?” That’s a bit cryptic, isn’t it? It’s a jotting for my next book, which is the second in my Yorkshire Dales Skimmerdale series, a sequel to This Other Eden. I’ve been playing around with plot points and trying to work out the what ifs. Writing a first draft is such hard work!
Jessie: What is the biggest challenge for an author?
Sharon: Getting noticed when there are thousands of new books released every week. Visibility is a huge challenge, and there are massive demands on writers to get their name and work “out there”, which means more time marketing and networking and less time writing, unfortunately.
Jessie: What is the best advice that you have received as a writer?
Sharon: Just keep writing and getting more books out there.
Jessie: Sharon, it is always such a pleasure to communicate with you. You are so helpful and kind to others. Tell me a little more about yourself.
Sharon: I’m a member of the Romantic Novelists’ Association and blogging group The Write Romantics. I’ve published ten novels and written two pocket novels and a short story for The People’s Friend. I’m a huge fan of Yorkshire, Doctor Who and horses, and am shamefully prone to all-consuming crushes on fictional heroes.
Jessie: It’s confession time. Is there one fictional hero that stands out for you?
Sharon: Oh gosh! I have to name just one? Really? I could name dozens of other writers’ creations as well as plenty of my own. To be fair to all my gorgeous heroes, I’ll simply say Xander, as he’s my latest hero from Fresh Starts at Folly Farm and, of course, he lives around here somewhere! He’s got a heart of gold. Any man who cares passionately about the welfare of helpless animals has got to be a keeper, right? And, of course, he’s a very handsome actor, with a humble nature and a great sense of humour. Most importantly of all, he’s exceptionally kind. Yes, I think it’s Xander’s turn to shine right now, and – oh my word, there he is! Look, he’s waving at me. Er, you don’t mind if I end this talk now, do you, Jessie? Only, I haven’t seen Xander for a while and, well, you know how it is. Thanks so much for our little chat. It’s been fun! Okay, Xander, wait for me! Oh wow, look at that smile. He really is exceptionally lovely, isn’t he? Bye, Jessie!
Sharon vanished without finishing her drink. Later, she sent me a text message to say all would be revealed in another book.
Sharon Booth
More about Sharon
Sharon is a persistent daydreamer; happy in her own company, she lives inside her own head most of the time, much to the confusion and irritation of those around her. In her imagination, she’s the storybook mum and grandma, who greets her visiting family with tea in pretty china cups, homemade cakes, and effusive kisses. In reality, she tends to groan that they’ve interrupted her writing, while rummaging through the cupboards in the hope of finding leftover biscuits to offer them, and completely forgetting to put the kettle on until she’s been reminded – several times.
The magic of Covent Garden cast its spell on me. Having seen the brilliant trailers for ‘The One I Want’, I felt as if I had walked into the pages of the novel. Lynne Shelby greeted me on a balmy summer’s evening wearing a sleeveless, coral-coloured linen dress, and flat strappy sandals. Laughter of revellers, in the cafes and bars, rested on the warm air. Bottles of cool wine sat on tables and tempted us to join the merriment.
Lynne: Oh. I am so tempted to crack open a bottle of white wine, but I want to watch some street theatre.
Jessie: Me too. Let’s go.
We stopped to admire some mime artists performing an entertaining scene behind an invisible locked door. Finally, one of the mime artists handed a rose to Lynne and mouthed the words: ‘You’re the one that I want.’ Strange. Did he know about Lynne’s new novel? Amused, we headed to the nearest a bar. We sat outside and ordered sparkling wine.
Jessie: The cover of your novel is delicious. What’s the novel about?
Lynne: Theatrical agent Lucy Ashford falls for film star Daniel Miller and is swept up into his celebrity lifestyle. But can Lucy tame the A-list bad boy, or she just one more girl in Daniel’s long line of conquests?
Lynne grabbed her book from her bag and instantly read an extract to me.
Presenting The One That I Want.
‘Lucy, tell me honestly. Is there something going on between you and Owen?’
‘There honestly isn’t,’ I said, taken aback. Where was this coming from?
‘I’m not attracted to him.’
‘Does he know that?’
Jessie: I love it. You get straight into the drama. I want to know more. How has the book been received by the reviewers?
Lynne: I’ve been so delighted by reviewers’ responses to the book. One reviewer described it as “a wonderful story – and a really perfect summer read.” Another said: “The story sweeps you away in a flurry of stardust that will leave you wanting an encore…” and another: “It’s a smart, sharp and sophisticated glance behind the curtain into London’s theatreland. I loved it!”
Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?
When I’d finished writing ‘The One That I Want’, I was both elated and slightly stunned all at once! I’d enjoyed spending time with my characters nearly every day for almost a year, and I did miss them when I was no longer writing about them. My heroine, Lucy, who is thrust unexpectedly into the glamourous world of showbusiness, but manages to keep her feet on the ground, is the sort of person who’d make a good friend in real life. The book is a stand-alone story, but it’s also the first in a ‘series’ of books set in and around London’s Theatreland, and I’d like Lucy to have a ‘walk on’ role in another book so that we can keep in touch!
Theatrical agent Lucy Ashford falls for film star Daniel Miller, and is swept up into celebrity lifestyle.
Jessie: Who would you like to read your book and why? This could be another author, someone famous, a friend or a member of your family.
Lynne: I’m always delighted when a reader tells me that they’ve read and enjoyed my book. One of my dreams is to have one of my novels made into a film or TV series, so it’d be fabulous if a Hollywood director read ‘The One That I Want’ and thought it would make a good script!
Jessie: Why should I keep your book in my handbag?
Lynne: Because it’s an entertaining story that gives an authentic picture of the glamourous world of showbusiness, but it also shows the importance of friends and family.
Jessie: What is the last sentence written in your writer’s notebook?
Lynne: ‘She goes to Greece – Why?’
(I need to get the heroine of my WIP to Greece, but not for a holiday – hopefully she’ll come up with a reason for her journey!)
Jessie: What is the biggest challenge for an author?
Lynne: With so many books published each year, I think a lot of authors would say that getting your book seen by readers is a greater challenge than writing it.
Jessie: What is the best advice that you have received as a writer?
Lynne: To keep on writing even if your first efforts aren’t all you want them to be, because you can edit a first draft, but you can’t edit a blank page.
Jessie: Tell me three facts about yourself.
My ideal night out is a visit to a West End Theatre to see a play or a musical.
My ideal night out is a visit to a West End Theatre to see a play or a musical. I love travelling, especially exploring a foreign city. Being an author is the best job ever.
Biography
Lynne Shelby’s debut novel, ‘French Kissing’ won the Accent Press and Woman magazine Writing Competition. She’s done a variety of jobs from stable girl to legal administrator, but now writes full time. She lives in London with her husband and has three adult children who live nearby.
I am sure Lynne’s novel is vibrant and fun like her. Our chat certainly made me want to find out more about ‘The One that I Want’. Do you fancy a trip to theatreland? A perfect summer read awaits…
Morley in the seventies. Nothing much has changed apart from the cars parked on the roadside. Photo from David Atkinson Archive, Morley Memories.
Hiraeth is a delicious Welsh word as it captures that nostalgic longing for home. As a Yorkshire lass living in Wales, I often yearn for Morley, a town in Leeds, where my family still live. Yet I also feel at home in certain places in Wales that connect to the spirit and soul of place I long for. Maybe it’s the spirit of the industrial past that connects me to South Wales.
Morley is a large town in West Yorkshire that was constructed from the blood, sweat and tears of coal and textiles. The stone buildings of Morley are crooked and leaned towards me with whispers of secrets. I always identified a beauty in the urban landscape of home and feel so happy when I return to visit my family. There is a community spirit in Morley and people will always chat and make me laugh.
I imagined Jim driving along this road in his Zephyr. The photo is from Wales online and is captures Cardiff fifty years ago.
Last year, I stumbled on some newspaper photos of Cardiff in the sixties and seventies and the people huddled together chatting connected me to a familiar community spirit and evocated a nostalgia. When imagining the people’s stories, I met Pearl and Jim, characters from my novel,Loving You (working title), searching for their dreams in a fictional Welsh town near to Cardiff.
Photo of the Welsh factory woman in the sixties is from BBC News in an article written by Gwyneth Rees, BBC Wales News
Pearl is a seamstress who dreams of becoming a singer. Jim is a car mechanic who yearns to be an artist. Secrets about Pearl’s late father thrive in Aberynys as people still gossip about him. Pearl and Jim’s dreams push them together and pull them apart. Pearl is immersed in a community, but Jim is a loner. Both characters are shaped by their lives in Aberynys and want to escape in different ways. Pearl’s friends in the sewing factory are influenced by the people my grandmother brought to life for me when I was a child, and their sense of humour is both northern and Welsh. Of course, a colourful cast of characters also barged into the book, and my fictional town of Aberynys is a port which was also influenced by visits to Barry Island, Cardiff Bay and the Valleys.
This photo of the Valleys inspired Aberynys.
Aberynys is the nostalgic place in my heart: a place built on stories I listened to when chatting to folk in Yorkshire and Wales. I created a place name with lyrical Welsh words: Aber is the Welsh word for estuary and ynys means island. Aberynys is a montage of my life experiences and a place that makes folk dream their dreams. Loving You remains one of my works in progress as I just love to visit the place in my heart where I can seek sanctuary from what is happening to us all at the moment.
Which place do you call home and is this different to place you live in now?
Secrets buried like treasure in novels always tempt me. When I discovered Jan Baynham’s novel, Her Mother’s Secret, I wanted to find out more. Set in Greece in 1969, Her Mother’s Secret is the just the ticket to travel to glorious Greece. I invited Jan to tell me more about her debut novel and why she chose to bury a secret in the pages.
I have always been intrigued by family secrets and the fact that these sometimes do not come to light until after a person has died. I read of someone who was sorting through her mother’s things after her death and found a diary. In there, the young woman learned about a part of her mother’s life she knew nothing about. The ‘what ifs?’ started in my head and Her Mother’s Secret started to evolve. At the time, I’d been reading a novel where the rustling in the trees sounded like whispers and inanimate statues took on the form of ghosts of the people they represented. Perhaps the whispering could show the presence of a past family member. Always fascinated by the bond between mothers and daughters, this was basis for my story. Very often, the close relationship between mothers and daughters means that they would know things about each other no one else would. I wanted to explore how my character, Alexandra, would feel when she found out about her mother, Elin’s secret life. How could her mother have kept this from her? How would she feel? I needed Elin to have been able to keep her secret from everyone, even her own mother, until she died.
Having visited many times and being struck by the wonderful palette of colours seen in every landscape, Greece was my obvious inspiration
I decided that Elin would be an artist, having just finished art college. She travels to Greece to further her painting skills and while there, something happens that she never mentions again. I chose a setting where the colours would be more vibrant and intense perhaps than in her home country of Wales. Having visited many times and being struck by the wonderful palette of colours seen in every landscape, Greece was my obvious inspiration. Elin’s daughter, Alexandra, arrives on Péfka, a small island off the Peloponnese in Southern Greece, to follow in her mother’s footsteps to find out what happened there twenty-two years earlier. No wonder you loved it here, Mam. The colours alone make it an artist’s heaven, she thought. Péfka is purely fictional and is not based on one particular place; it’s an amalgam of areas I’ve visited – a beach or street here, a taverna or workshop there where I’ve met characters when getting out into Greek villages. Every holiday has inspired me with contributions to create characters and settings that are hopefully authentic showing the climate, the vivid colours of the sea and the flowers as well as the warmth of its people.
Every holiday has inspired me with contributions to create characters and settings that are hopefully authentic showing the climate, the vivid colours of the sea and the flowers as well as the warmth of its people
More about Her Mother’s Secret
It’s 1969 and free-spirited artist Elin Morgan has left Wales for a sun-drenched Greek island. As she makes new friends and enjoys the laidback lifestyle, she writes all about it in her diary. But Elin’s carefree summer of love doesn’t last long, and her island experience ultimately leaves her with a shocking secret …
An artist travelling to Greece in 1969 evokes endless opportunities for secrets. I can’t wait to escape to Greece with the promise of Her Mother’s Secret. I wonder what Alexandra, Elin’s daughter, will discover when she visits Greece twenty two years later…
Her Mother’s Secret will be published by Ruby Fiction on 21st April and is available to order now.
Jan Baynham
Meet Jan Baynham
After retiring from a career in teaching and advisory education, Jan joined a small writing group in a local library where she wrote her first piece of fiction. From then on, she was hooked! She soon went on to take a writing class at the local university and began to submit short stories for publication to a wider audience. Her stories and flash fiction pieces have been longlisted and short listed in competitions and several appear in anthologies both online and in print. In October 2019, her first collection of stories was published. Her stories started getting longer and longer so that, following a novel writing course, she began to write her first full length novel. She loves being able to explore her characters in further depth and delve into their stories. She writes about family secrets and the bond between mothers and daughters. Set in the last year of the 60s, ‘Her Mother’s Secret’ takes you to sun-drenched Greece, her favourite holiday destination.
Originally from mid-Wales, Jan lives in Cardiff with her husband. Having joined the Romantic Novelists Association in 2016, she values the friendship and support from other members and regularly attends conferences, workshops, talks and get togethers. She is co-organiser of her local RNA Chapter.
As if by magic, I am presenting ‘Stone Circle’ by Kate Murdoch. The novel is a rich historical fantasy about a young man’s coming of age, as he learns about magic rituals and alchemy. I have asked Kate to present and extract of her debut novel. She has written to her readers about the book and her chosen extract.
Dear Readers,
I would like to present you with an extract from my debut novel, ‘Stone Circle’.
It’s a story of magic rituals and rivalry in a 16th century Italian town.
The extract, selected from the middle of the book, is a scene where my protagonist, Antonius, is being initiated as a seer. It describes the ritual he must go through.
It is a key scene in my book, because Antonius’s life is undergoing enormous change, and the ritual is a symbol of that.
Romance, thrilling escapes and alchemy – what’s not to love?
Best Wishes,
Kate x
Extract
Antonius watched the blue and amber flames as they crackled upwards, repeating the same patterns into infinity. He felt his body move to the rhythms, and realised they all moved in tandem around the fire. The music, the flames, and the night were as much a part of them as the blood coursing through their veins. The pace quickened and they followed, twisting and turning with fluidity.
Antonius’s mind was clear and untroubled. At the same time, he watched Giulia’s russet hair swing across her back and the long line of her slender white arm as she moved with perfect grace. He felt the eyes of many upon him, but he was not afraid. It was a sense of being held in the embrace of the observation, as if he were returning to the home of a friend that was as familiar as it was strange. Glancing at Giulia, he saw she scattered herbs into the flames. His nose twitched as their combined scent wafted towards him—sage, elderflower, cloves, and others. Three crystals were then released into the fire—purple, white, and gold. Several loud cracks erupted into the air and multi-coloured sparks flew, with a hiss and a whine. In a low voice Savinus chanted. It was a mellifluous language he had heard during the rituals at the blue cave. He spread his arms in an outward motion, as if clearing away smoke.
More About the Novel
Stone Circle explores themes of class, rivalry and spiritual growth. It is a historical fantasy novel.
Is the ability to read minds a blessing or a curse?
Kate Murdoch
When Antonius’s father dies, he must work to support his family. He finds employment as a servant in the Palazzo Ducal, home of Conte Valperga. Sixteenth-century Pesaro is a society governed by status, and Antonius has limited opportunities. When a competition is announced, Antonius seizes his chance. The winner will be apprenticed to the town seer. Antonius shares first place with his employer’s son. The two men compete for their mentor’s approval. As their knowledge of magic and alchemy grows, so does the rivalry and animosity between them. When the love of a beautiful woman is at stake, Antonius must find a way to follow his heart and navigate his future.
Reviewers’ Opinions
‘Murdoch presents a delightful romance, feathered with light touches of fantasy. The development of her love triangle is gratifying, and even secondary characters offer stark dramatic moments…’ Kirkus Reviews ‘
‘Her characters’ interactions with each other and their individualities helped shape the book into something wonderful; at the same time she excels at pacing the story with her characters, all within a framework designed to help readers understand the world of seers and alchemy she has created.’ Readers’ Favorite
‘Kate Murdoch’s fabulous writing is full of vivid sounds, sights and scents that pull us into the scene, expressed in inspired word combinations that are a joy to read. A wonderful, entertaining book.’ Gail Cleare, USA Today bestselling author
Words about Kate:
Kate is a painter turned author who enjoys writing flash fiction and short stories when she’s not writing historical fiction. Her debut novel is a romance with an element of fantasy. Kate became completely immersed in her Renaissance town and characters when writing the novel. Kate found it difficult to depart from the world in her novel and this bodes well for a reader intent on escape. The best of luck to Kate with her debut novel.
Books in my Handbag is delighted to welcome the inspirational Angela Petch to the Chat Room
‘I’m inquisitive about different cultures and people. Writers are usually nosy, I think.’
Angela Petch was born in Germany, brought up in Italy and England, worked in Amsterdam, Sicily and Tanzania, East Africa. It is no wonder that she is ‘inquisitive about people and culture’. We can also thank Angela’s late father for introducing her to Italy, and I feel certain that he would have been proud of her writing. Her colourful life is reflected in her colourful writing pallet. Angela is sensitive, funny and creative: the perfect qualities for a writer
Angela has published ‘Tuscan Roots’ and ‘Now and Then in Tuscany’. Currently, she is working on the frolics and escapes of ‘Mavis and Dot’- need I say more?
Always full of joie de vivre, Angela insisted that we open a bottle of Prosecco before we commenced the chat. The sun was shining and butterflies dancing in the Italian garden as we commenced the conversation.
‘Now and Then in Tuscany’ is a historical narrative which oozes love for Italy and its culture.
The saga of three generations of a Tuscan family which recalls recent hardships and traditions of country life, too easily forgotten in today’s affluent and comfortable Europe.
Absolutely, these elements were beautifully presented in the novel. Now here’s another challenge, read me an extract that captures the essence of your book.
“The ancient wheel beside the convent door stood waiting … like the mouth of a hungry beast, ready for me to place the baby in its wooden drum and push it to the inside of the orphanage.”
You paint the experiences and emotions with words and tell a heart-breaking yet beautiful story. What do the reviewers say about your 5* novel? Angela searched through the Amazon reviews while I ate crostini.
This is no disappointment! What-happened-next books are so often disappointing. After the enchanting ‘Tuscan Roots’ (Angela Petch’s first novel set in Tuscany) I was almost afraid to read on. I needn’t have worried. This new book, which continues the story of Anna and Francesco Starnucci, like its predecessor blends a modern-day story with family history in an intricate weaving of now and then. Once again, the author’s love of the landscape and people of this beautiful region shine through, but this is far from being a mere travelogue. Angela Petch is an inspired storyteller who knows how to blend in a touch of mystery to keep the reader guessing.
Reviewer: Perdisma on 13 May 2017
Fascinating people and places. It reminds me in many ways (though it’s much less relentlessly tragic!) of “The Tree of Wooden Clogs”, the prize-winning film by Ermanno Olmi – it has the same intensely imagined and exquisitely detailed recreation of a lost way of life. The photographs are part of this too – at first sight they’re just grainy little black and white images, but each one explains and is explained by the text, so that the more you read the more alive they seem, like Facebook pages from a hundred years ago. Reviewer: Rose on Amazon 11 May 2017
Beautifully written and researched. This is a beautifully written and researched family saga that spans three generations of an Italian family. Giuseppe comes from a poor village in Tuscany where the rhythm of life is set by the Catholic Church and the menfolk’s annual winter pilgrimage to warmer winter grazing land for the sheep… The book is full of a subtle yearning. The prose is evocative. The historical narrative is impressively authentic and riven with the author’s love of her subject.
By CA reviews on 7 May 2017
I am not surprised that you have received such accolades that all are all genuinely inspired by your storytelling. The book has been a labour of love so how did you feel when you had finished the book?
I felt a mixture of relief and sadness when I had finished writing the book. This book took me five years to research and write. At times, it was an agonising process. I struggled with the balance between history and narrative, fearing that my desire to include details about the era was pushing the plot out of shape. At first, I listened to the reactions of too many Beta readers and grew despondent and confused. But I wanted desperately to give birth to “Now and Then in Tuscany”, as I felt it was a period of history that needed to be recorded. I had help from a professional editor in the end.
It is so reassuring to hear that such a great book is the result of a challenging journey. Do you miss the characters?
I still miss my main character, Giuseppe. He is so firmly placed in the location where we live in Tuscany that I’m sure I catch glimpses of him every now and again as he strides along the mule track.
Two weeks ago, we ate in the old stone house that I had imagined was his. I’m sure he was sitting in a corner by the stove, listening to our conversation and smiling wryly at the way we enjoyed the meal so much: our friend had recreated a peasant’s meal of nettle soup and frittata prepared with the tips of Vitalba (Old Man’s Beard). We enjoyed it as if it were a delicacy. But he would have eaten these ingredients out of necessity.
Would you like any of your characters to read the book, or maybe there is someone else that you have in mind?
My father, Kenneth Sutor, who died twenty six years ago. He introduced his three young children to Italian culture in the 1960’s, when he relocated to Rome to work for the Commonwealth War Graves Commission. I still have his 1956 edition of Hachette’s World Guide to Italy that he carried in his pocket for our excursions. Every Sunday he would take us to Mass and afterwards treat the family to a slap-up meal in a simple trattoria. Then, out would come his little blue book and we would be guided round the Villa d’Este or the Via Appia Antica, Colosseum, Subiaco, Assisi…He refused to have us penned up in an apartment in the centre of Rome and found us a ramshackle villa on the outskirts of Rome. The garden was stuffed with Roman statues, orange trees and bordered by vineyards and peach groves. How could I, as an impressionable seven year old, fail to fall in love with Italy? He was self-educated. Today he would have enjoyed a university education but his family were not wealthy enough to support him. I remember him often engrossed in a history book, reading glasses perched on the end of his nose.
I know you can’t say, but I wonder if I can sense your father in Giuseppe… I am sure that your father would have been so proud of your book.
I would have loved to see him read my books. Undoubtedly, he would have pointed out the warts but I think he might have been proud of me too. He loved Italy and, on my mother’s request, I scattered his ashes on Italian soil.
I don’t need to be convinced but why should I keep your book in my handbag?
If you are the type of person who recognises that understanding the past helps towards an understanding of the future…
If you want to explore a beautiful and little-known corner of Eastern Tuscany…
If you want to read the story of a young boy with a big heart who overcomes adversity…
If you want to weep and smile at Tuscan love stories…
Then, find a space in your handbag for “Now and Then in Tuscany”.
What is the last sentence written in your writer’s notebook? Angela poured herself another glass of Prosecco and wiped the condensation from the glass. There was a distinct look of mischief in Angela’s eyes as she read the following line:
“…a fluttering of fans from menopausal worshippers, in a church smelling of candle wax and cold, cold stone…”
(For an idea for my WIP, “The Adventures of Mavis and Dot”).
What is the biggest challenge for an independent author?
Getting noticed. To be read in a competitive world where thousands of self-published authors are jostling for space. Engaging with social media has been my biggest challenge but it is the springboard. For a child of the ‘50’s, it doesn’t come easy. I was advised to set up a Twitter account. “Look for like-minded people,” was the advice from a writer friend. So, I typed “Lovers of Italian” in the search bar. I shall leave it to your imagination about the photos of gigolos and semi-naked escorts that popped up. Learning curve is the phrase that is constantly on the tip of my independent author’s tongue.
What is the best advice that you have received as a writer?
Just write. Get it down, capture your words before they fly away.
Afterwards you will have to check and chop, but just write first. In order to have something to work on, just write. I don’t believe in writer’s block.
I agree with you! Just let the writing flow and banish writer’s block. Does the countryside inspire you to write more than the city environment?
I like cities in small doses – for the theatre, concerts, art galleries, museums and monuments – but my heart sings in the countryside. I have played tennis all my life but at the moment I need a shoulder operation, so I can’t. Instead, I go for wonderful walks in the mountains. Better than a sweaty gym, any day.
Following the interview, I meandered down an ancient track. I reflected that we are all influenced by the past and the present. And I pondered whether anyone would make a wonderful art house film of Now and Then in Tuscany – the setting is there waiting to be captured on film.
Please see My Guests for all the authors that I have interviewed.